TESTIMONIALS
Stefán Höskuldsson, Flutist
“The Emanuel flute has been an incredible discovery for me. This superior instrument offers both strength and incredible beauty of sound, from the softest to the loudest of dynamics with endless colors and articulation. In the opera repertoire it is like a supporting voice, with both sonority and presence. With an impeccable scale, it also offers a very sturdy and precise mechanism. It is a flutist’s dream come true!”
Stefán Ragnar Höskuldsson
Principal Flute, The Metropolitan Opera Orchestra
http://www.stefanflute.com/
Liebermann Flute Concerto
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Stefanie Mortimore, Piccoloist
“My Emanuel Flute changed my life."
Stefanie Mortimore
Piccolo, The Metropolitan Opera Orchestra
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Nicole Esposito, Flutist
“My Emanuel Flute is exceptional! Emanuel Arista
is a superb craftsman and artist. He truly makes a
special flute, and I have yet to find another that
parallels in depth, richness, and flexibility.
Whether
I am playing solo or in the orchestra, the ease and
projection of my flute is extraordinary. In addition to
a spectacular sound quality, the mechanism and
scale are equally as wonderful. After owning my flute
for over three years, playing numerous concerts and
traveling with it around the world, it has barely
needed an adjustment. Undoubtedly, this a testament
to the skill, precision and care that Emanuel brings
to each of his flutes.
If you are looking for a flute on
which you can do it all, and then some, Emanuel
Flutes are for you.
I give them my highest
recommendation.”
Nicole Esposito
Professor of Flute, University of Iowa
http://neflute.com/
J. S. Bach Partita in A minor- Sarabande, live performance by Nicole Esposito
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Claude Levebvre, Flutist
“Les flûtes Emanuel sont de magnifiques instruments.
Leurs qualités techniques et musicales apparaîssent
aussi bien en soliste qu'au sein d'un orchestre.”
Claude Lefebvre
Soliste à l'Orchestre de l'Opéra de Paris
Professeur au Conservatoire National de Région de Paris
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Eugenia Moliner, Flutist
I have been playing my Emanuel flute for more than 10 years now and I feel I have become one with this instrument.
The range of colors, flexibility and dynamics possible to achieve are unparallel with other flutes I have tried.
My Emanuel flute has much more than a beautiful deep rich sound, has a soul of its own and this rarity makes this flute unique and special to play.
I sincerely recommended this instrument to anyone looking to make music with a standing voice among the flute's best.
Eugenia Moliner,
Flutist from the Cavatina duo
www.CavatinaDuo.com
Artist- Faculty- Roosevelt University, Chicago
Dances in the Madhouse -Tango--CavatinaDuo
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Julia Bogorad
“With my Emanuel Flute I have found the beauty
and power of tone that I have known with my
Louis Lot flute, plus a modern scale, articulation
and projection. The workmanship is beautiful and
it is a joy to play!”
Julia Bogorad-Kogan
Principal Flute St. Paul Chamber Orchestra.
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Claudio Barile
From the first moment that I tried my Emanuel headjoint, I knew that this
was better than anything else I had ever played. I immediately began using
it for my work as flute soloist with the Buenos Aires Philharmonic, and
playing it for chamber music and solo performances.
I am very happy with the move to my new 14K gold Emanuel headjoint. It
allows limitless possibilities for musical expression and expansion,
color, dynamics, and flexibility. I am so grateful for the wonderful work
that Emanuel has done to advance the capabilities of the instrument.
Claudio Barile
Solo Flutist, Buenos Aires Philharmonic
Buenos Aires, Argentina
http://www.claudiobarile.com/
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